HOT TEEN COUPLE
fiction, 18’57’’
Cecilie Solvei Holmfjord Jonassen, Denmark
We award the grand prix to this film for its nuanced approach to its character development. With its very mature visual language, excellent acting and an experience that feels like a feature film condensed into a short.
MOM
freestyle, 1’59’’
Ambroz Haračić High School, Mali Lošinj, Croatia
SILENCE
slobodni stil, 11’15’’
School of graphics, design and media production, Zagreb, Croatia
There were difficulties in choosing the film for this particular award. But the feeling that stuck with us, the fact that depression is actually strongly impacted by different types of violence and the strength and bravery of three different protagonists left us with the decision to give out The Yellow Flag Award to Silence, directed by Marijana Brdar.
VACUUM
animated, 4’34’’
Photo Cinema Video Club Zaprešić, Zaprešić, Croatia
The award for best animated film in the national category goes to this film for its quirky, imaginative story, standout character design, and playful use of old-school animation techniques while captivating audiences with its originality and charm.
ŠOLJAN IN ROVINJ
documentary, 9’58’’
Zvane Črnja High School, Rovinj, Croatia
The award for best documentary in the national category goes to this film for its surprising response to audience expectations. This film skillfully defies conventional narratives in an entertaining way. Its ability to engage, surprise, and shift perspectives makes it a standout work in the documentary genre, leaving a lasting impact on viewers.
CONVICTION
fiction, 18’00’’
Blank_film incubator, Zagreb, Croatia
The best fiction in the national category goes to this film for its authentic portrait of Zagreb, capturing its dark, dull and depressive corners. The film tells the story of a tough boy in a way that creates a deep emotional connection, without resorting to clichés or compromising the integrity of the character.
BAD
fiction, 15’00’’
Algebra University, Zagreb, Croatia
We give a special mention to this film for its clear, comical and fresh structure. It perfectly fulfils the role of a fiction short film, drawing on clichés and familiar ideas but combining them in a new way. It’s an entertaining watch that doesn’t take itself too seriously.
A PERFECT LITTLE APPLE PIE
freestyle, 1’40’’
School of Building and Crafts Čakovec, Čakovec, Croatia
The best national film in the freestyle category goes to this piece for its disruptive and clever use of counter-narrative, executed through a contemporary take on Eisenstein’s montage style. This film challenges conventions, creating a thought-provoking experience for the viewer.
THOSE WHO KNOW, KNOW
freestyle, 1’40’’
Katja Galunić, Zagreb, Croatia
We give a special mention to this film for its fast-paced editing, well-crafted hectic atmosphere, and its success in creating an experimental film that still conveys a clear message to the audience.
THE CHIHUAHUA SHAKE
animated, 13’56’’’
College of the Canyons, United States of America
The award for best animated film in the international category goes to this film for its exceptional world-building, captivating script, and ambitious production. This film transports audiences to a richly imagined universe, with a compelling narrative that keeps viewers engaged, making it a truly unforgettable cinematic achievement.
CHRISTMAS LIGHTS
animated, 6’04’’
Mid-Pacific Institute, United States of America, Hawaii
We give a special mention to this animated film for offering a fresh perspective on an ubiquitous story. Its innovative approach breathes new life into a familiar theme.
CALL ME SIR
documentary, 9’56’’
IVKO Amsterdam, Netherlands
The award for best documentary in the international category goes to this film for its fresh approach to the form and for creating an atmosphere that gives a glimpse into the experimental realm of the film.
“ZVEZDA”: ECLIPSE
documentary, 7’23’’
Faculty of Dramatic Arts, Beograd, Serbia
We give a special mention to this documentary for its punk energy and dynamic editing in capturing the history of Serbian cinema. Its rebellious spirit and rapid, engaging style brings its story to life, offering a fresh and electrifying take on cinematic heritage.
BUCKET’S LIST
fiction, 7’42’’
London Film Academy, United Kingdom
The best fiction in the international category goes to this film for its clear storyline, humorous moments, outstanding casting, and its strong emotional impact on the viewer.
IN MY NOSTRILS
freestyle, 3’22’’
Latvian Academy of Culture, Latvia
The best international film in the freestyle category goes to this work for its strong art direction and captivating visual style. The film brings its vision to life through bold, imaginative design and striking aesthetics.
Casper Højst Lunøe (Deer)
Station Next, Denmark
The award for the best actor goes to an individual that has displayed profound emotion and remarkable honesty, leaving a significant impression on viewers, despite their brief time on screen. Throughout the film, we saw an honest character. Notwithstanding his young age, he took us on an emotional journey of sadness, fear and shock.
Sofia Lykke (HOT TEEN COUPLE)
Cecillie Solvei Holmfjord Jonassen, Denmark
The best actress award goes to the actress who executed her role excellently throughout her film. She kept her character consistent and stood up to the challenge of playing a wide range of emotions.
Luis Kølkjær Hansen (Deer)
Station Next, Denmark
The best director award goes to this director because of his selection of actors, camera, locations and frames that helped to maintain the atmposphere and tension during the film. These things made a big impact on the consistency of the plot and film as a whole.
Marko Vukušić (Bad)
Algebra University, Zagreb, Croatia
For the best screenplay we chose a film that, even if it has a few story lines, follows characters and analyzes them layer by layer. The film with its twisted humour represents identity crises and makes us ask ourselves questions about our morals and character. Because of how well written and how well presented it was, the award for best screeenplay goes to Marko Vukušić.
Antea Šoštarić (KKIEV)
Academy of Dramatic Art, Zagreb, Croatia
And for the best camera which is our view into the world of the film, we had a very difficult decision to make and a lot of things to consider, such as: the quality, the movement, the focus, the composition, the lights and how it tells the story. The winner managed to do this in just one take, but that was from the 17th try.
Mladen Simeunović (“Zvezda”: Eclipse)
Fakultet dramskih umetnosti, Beograd, Srbija
For the best editing we chose a film that implements found footage with newly filmed material and VHS tape recordings very effectively and balances between the main focus and the protagonists well. Also, the music adds to the feeling of the film.
BESTIARY
fiction, 12’35’’
Edouart Herriot High School, France
Convincing acting and mature directorial solutions adorn the fiction film Bestiary. It shows that human relations in today’s world can also go to the animal level in the struggle for survival in a time of dehumanization of society.
THE HERALD
fiction, 27’15’’
School of Design, Graphics and Sustainable Construction Split, Croatia
I’M NOT LIKE THEM
fiction, 6’56’’
Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Ukraine
The Yellow Flag award goes to the film that showed us a touching portrayal of one individual’s conflicting emotions. Due to his environment, the main character questions his identity and decisions. Unfortunately, that is something relatable for too many young people today. Because of its strong message condemning violence, the Yellow Flag award goes to the film I’m not like them.
FRIENDSHIP BETWEEN BEINGS
animated, 6’02’’
Center for Lifelong Education and Culture Bjelovar, Croatia
This animated film talks about love, friendship, the environment, and decisions that are not always easy, in a very imaginative way. It talks about the unusual love that happened between a man and a tree in the man’s youth, their friendship that grows stronger every day, and the decision that we sometimes have to sacrifice a thing that is extremely dear and important to us.
OFF THE GRID
documentary, 9’58’’
Video group from the Student dorm of Hospitality and Tourism School Osijek, Croatia
A sparkling and humorous presentation of how to deal with addiction today. Hide your cell phone for a few days. A test we could recommend to anyone. To the old and the young.
LONG HOT SUMMER
documentary, 14’38’’
Blank_film incubator, Zagreb, Croatia
This film extremely successfully intertwines fiction and documentary film and brings to the viewer the entire process of the creation of a film, it is as if we’re seeing the making of the very film we are watching. The protagonists enjoy the game of creating and shooting a film, and at the same time, they very expertly use all the tools at their disposal.
THE HERALD
fiction, 27’15’’
School of Design, Graphics and Sustainable Construction Split, Croatia
The author of the film undoubtedly stands out with his skillful storytelling. That in itself is a special achievement. The film is intriguing, the characters are interestingly developed, and the high school students’ performances are surprisingly authentic. The technical aspects of the film are also commendable. The camera is skillfully used to create a tense atmosphere, the editing is precise. This film certainly deserves the viewer’s time, and we look forward to future projects by Dražen and his team.
BRAVO ANAMARIJA
fiction, 6’42’’
Studio of Creative Ideas Gunja, Croatia
This short film by a group of authors explores, through the portrait of a women’s soccer team, the struggle of one member, Anamarija, for the well-being of the collective. That fight against injustice is empowering and emotional, and in the film it is carried primarily by the main actress. With her courage, sympathy and talent, she leaves an indelible mark. The depiction of such topics through art encourages thought and conversation, and is always worth exploring. The film emphasizes the importance of mutual support and togetherness, and the entire crew deserves praise for this beautiful, warm, funny, and above all, inspiring story.
WHAT IS YOUR WAY?
freestyle, 1’00’’
Academy of Dramatic Art Zagreb, Croatia
Every situation can be filmed in countless ways, and this promo film shows us exactly that through a simple and very suitable story. An extremely effective way of storytelling, both through the screenplay and through the image, seductively invites new potential students to the Cinematography program at the Academy of Dramatic Art in Zagreb.
THE TELL-TALE HEART
animated, 8’13’’
Secondary school IRL, Ireland
The young artist Max Hendrickson managed to translate a challenging story by Edgar Allan Poe into the world of stop-motion animation in an exceptional way. It is an impressive approach to the topic for a high school student – mature and serious. Dark and deep. The scenes are visually interesting, and they contribute to creating the tension and anxiety that characterize Poe’s stories. The music, narration and sounds are carefully selected to highlight the key moments of the story. This wouldn’t be an easy task for any filmmaker, and especially not for a seventeen-year-old author. Considering his youth, this film is a truly impressive achievement.
OYUM
documentary, 6’21’’
Kyrgyzstan Turkey Manas University, Kyrgyzstan
The Kyrgyz film about traditional carpet weaving is a real documentary treat. With a careful filming and editing approach, the author creates a story that not only visually delights, but also connects the viewers, at least for a moment, to the carpet making process and the tradition that surrounds it. The film, although short, offers a tangible piece of Kyrgyzstan and becomes a meditative experience that the viewer remembers for a long time. This film is a great example that creativity can come from unexpected sources and motives, and the author deserves all the praise for her effort and success.
VILIK: THE LIFE OF A FIREFIGHTER
documentary, 19’40’’
Kazakh National Academy of Arts named after T. K. Zhurgenov, Kazakhstan
In times of climate change, when we are followed every day by news about floods and fires around the world, the profession of a firefighter is one of the most valued. The powerful and intimate portrait of the brave firefighter Vilik receives a special mention among all the documentaries.
I’M NOT LIKE THEM
fiction, 6’56’’
Kyiv National I. K. Karpenko-Kary Theatre, Cinema and Television University, Ukraine
This film talks about one of the most important topics of our time, the differences that surround us and accepting those differences. An excellent screenplay, excellent directing, fantastic actors and photography, confront the viewer with the key question of the film: “Are you afraid of them or yourself?” Differences are all around us to enrich our lives – accept them and cherish them. Believe in yourself.
LUCID
freestyle, 9’54’’
Technical High School Bugojno, Bosnia and Herzegovina
One of the biggest problems of society is domestic violence. In the film Lucid, the director convincingly presents the traumatic feelings and consequences caused by violence against a child who lives in fear every day, using different film methods.
Dražen Bošnjak (The Herald)
Split, Croatia
The award for Best Actor goes to a talented actor for his impressive acting skills and convincing portrayal of the life of a high school student who is not afraid to do whatever it takes for the sake of truth, even if it means putting himself at risk. The actor fully embodied his role, conveyed all emotions, and inspired us with his persistence to the point that we cannot imagine a person better suited for this role.
Julie Nicola (BESTIARY)
France
We reached the decision for the Best Actress award nearly unanimously. This actress stood out with her passion and persuasiveness, her extraordinary and unrestrained portrayal of emotions moved us and kept our attention throughout the entire film. Her talent genuinely won us over, and we wish her a lot of success in her future career. In the future, we hope to see her on the big screen many times.
Max Hendrickson (The Tell-Tale Heart)
Ireland
This director because he showed his skills through successfully creating a tense and chaotic atmosphere which entwined entirely with the topic and the very idea of the film. The attention to detail and the unusual scenes left a special mark on us.
Vida Novosel (Same old, same old)
Zagreb, Croatia
We have to agree that it’s difficult to create a quality film in our country in high school days, especially if we take into account school obligations, the limitations of technology and props, and various other obstacles. The director of this film succeeded in creating an excellent film despite all of the above through her work ethic, creativity, and dedication.
Dražen Bošnjak (The Herald)
Split, Croatia
The award for Best Screenplay goes to this film because we loved this not at all monotonous, but instead intriguing and innovative story. No matter how tangled the people and situations in the film got, they did not overshadow the excellent quality of this story. Partners in crime, or better yet partners against crime, skillfully solve the hidden problem and the school secret comes to the light of day.
Ilia Rogovskui (I’m not like them)
Ukraine
The award for Best Cinematography goes to his film because it impressed us with its amazing camera that closely follows the main character’s each and every move, all his emotions and intentions. And not only this, but it also seems as if it’s experiencing everything through him. Through the camera’s small lens, we experienced this character’s great story.
Francesca Antounette Rodríguez Reyes (Seed Cycle)
Peru
When it comes to this animated film, we are sure that many long and difficult hours went into creating it. Those hours were not spent in vain, as the film shows good quality and a clear message. We really enjoyed the story it told, and the almost professional level of animation and editing.
Paola Žarković (Zdenko Barbarić – The School’s Guardian Angel)
Čakovec, Croatia
We liked this film because it tells the story of a man who struggled since childhood with a serious illness and yet never showed it. Each day he made people happy, and yet most were not even aware of his illness. This film was made to honour Zdenko, who will remain a fond memory for everyone who knew him. This film was very touching and done superbly from a technical and editing standpoint, and it has a message worth hearing.
FICCIONES
fiction, 15′ 00”
InOut Distribution, Spain
This film is a heartfelt ode to the art of the cinema. It evokes truly strong emotion from the first scene with impressive director’s craft and stand out performances. The authors demonstrate a high level of film maturity while promoting love for the seventh art. If we were forced to find one „weakness“ in this film, it would be that it has to end.
WAR IN UKRAINE
documentary, 23′ 14”
Greater Brighton Metropolitan College, Ukraine / United Kingdom
WAR IN UKRAINE
documentary, 23′ 14”
Greater Brighton Metropolitan College, Ukraine / United Kingdom
The Yellow Flag award is very special and serves as a valuable teaching moment to everyone who sees the film awarded with it, since it is awarded to a film that is exemplary in fighting against violence. This year we felt it was important to choose a film whose topic is very current and touched us deeply.
TELEVISED
animated, 2′ 30”
FKVK Zaprešić, Croatia
For the film that is clever, original and rich with animation techniques and carries universal message that the screen can’t replace human contact.
DISSIDENT
documentary, 7′ 30”
UNIMEDIA, Zagreb, Croatia
For a film that by its simplicity and with its light touch of humor in a subversive way critizises our society.
TILL TOMORROW
fiction, 5′ 00”
Škola za grafiku, dizajn i medijsku produkciju, Blank_filmski inkubator, Croatia
For a visually powerful portrait of a person fighting his own demons. We would especially like to honor the director who already exhibits a powerful signature.
LET THE SUNSHINE IN
freestyle, 5′ 11”
Eva Magdić Govedarica, Zagreb, Croatia
The director creates an emotional landscape that urges us to seek fragments of our own memories that risk being lost.
ARI
animated, 3′ 37”
Animation School, 6 Bab Sharq, Egypt
For a touching and deceptively simple film story reminding us that we sometimes need help to truly see each other.
DISSIDENT
documentary, 7′ 30”
UNIMEDIA, Zagreb, Croatia
For a film in which the warmth and humanity of the protagonist shows us the cruelty of capitalism and how its consequences effect all of us. The director by his unobtrusiveness and impartiality effortlessly treats a difficult and demanding subject.
PAPER TALK
fiction, 5′ 27”
École Internationale de Création Audiovisuelle et de Réalisation, France
This film radiates optimism. It fascinates with its smooth and precise storytelling about a potentially difficult life situation for our young protagonists. Gentle play and strong talent from the young actors makes the film unforgettable.
LENZ
freestyle, 7′ 39”
All American High School, United States of America
With its innovative approach to narration, this film makes us choose the story we want to see. At the same time, the director plays with our perception of the events and also with our emotions.
BOREDOM
fiction, 8′ 39”
Viktor Gelbek, Denmark
EHSAN MAJOONI (Savior)
Iran
The award for best actor goes to an actor who impresses the audience with his skills of being able to portray his character’s emotions without using any words. He showed amazing control and understanding of the importance of body language which demonstrated his competence as an actor.
JOSEPHINE GROSBØL (Capo Crimini)
Denmark
We decided to give the award for best actress to an actress who enchanted us with her ability to make us feel invested in her character’s story. Her acting performance was able to portray her emotions in a really captivating way.
HYEWON KANG (If You Swallow a Star)
Republic of South Korea
When deciding which short film to give the award to for best actress, we thought it was important to give a special mention to the performance of an actress that was able to play a character with such a troubled story at such a young age.
DISSIDENT
Croatia
The film we award for best directing stood out to us due to its not so often discussed subject matter and the way its story was conveyed. This film also gives us an insight into the life of someone who was repeatedly let down by society.
LENZ
United States of America
Because we had to choose just one winner with so many great films being shown at the festival, we want to give an honorable mention to a film which was able to convey a certain feeling which most have no explanation for. The film also played with putting scenes together in an experimental way.
IF YOU SWALLOW A STAR
Republic of South Korea
We decided to give the award for the best screenplay to a film that was one of our favorites from this year’s competition program. The excellently told story drew us into its world and amazed us with its simplicity, but also with the great depth and sensitivity of the topic it studies.
LET THE SUNSHINE IN
Croatia
The award for best cinematography goes to a film that immediately captured us with its simplicity, as well as its perfectly created atmosphere that made us feel like we were a part of the film.
LENZ
United States of America
For best editing we chose to award an outstanding piece of work that especially caught our attention because of its unique way of playing with the film format and the freestyle storytelling that results from it. It is a film that definitely leaves an impression and it gets you to think.
I THINK YOU WERE ONCE
Croatia
Since we had some trouble picking one winner for the category of editing from all the great films we got to watch, we wanted to give a special mention to a film we were very impressed with, because of the amount of work that went into it. All done by one person and executed really smoothly.
WATER MY PLANTS
fiction, 16′ 35”
Jordi Sanz, Spain
For a serious approach to an intimate topic that is told with precise, authentic and insightful filmic means of expression.
THE WRITER
fiction, 7′ 10”
Mihael Kuzmičić, Croatia
INITIATE SOLIDARITY
documentary, 3′ 18”
Karla Borovečki, Croatia
The Yellow flag is an award given for fighting against violence on film, and the film Initiate Solidarity deserved this award with its story. It is a film made by students and professors of the Medical School in Osijek, and it presents a praiseworthy project of the same name, which in 2019 gathered a hundred thousand students from various countries, a thousand of them from Croatia. The aim of the project is to help victims of violence and reduce inequality at any level.
THE SCARY DRAGON
animated, 2′ 46”
Josip Skledar, Jurica Nikolić, Zaprešić, Croatia
For skillfully handling the animation and narrative techniques and a deft adaptation of a literary template.
LENUZZI
documentary, 4′ 53”
Marina Jurčić, Cinema Club Karlovac, Croatia
With its functional use of camera, this film goes beyond the framework of a reportage on a distinctive protagonist.
THE WRITER
fiction, 7′ 10”
Mihael Kuzmičić, Croatia
For an imaginative and creative approach to an idea that relies on the problem of inspiration.
DON’T BE A HORSE
freestyle, 0′ 14”
Luka Kraljević, Croatia
A striking freestyle film that wittily and directly conveys its message.
DIVINATION DAVE
animated, 7′ 05”
Georgia Madden, Carmel College, UK
For a grotesque depiction of a character, for battling consumerism and for a flawless stop-motion animation.
SELF-PORTRAIT
documentary, 3′ 00”
Marija Mihaljević, Croatia
For an eclectic blend of animation and documentary film that draws you into a personal story that you feel deep in your stomach.
GOD’S CHILD
fiction, 20′ 58”
Hanna Rosén, Katrinebergs folkhögskola, Sweden
For a film that is thought-provoking thanks to its distanced directing, top-notch work with actors, and a provocative topic of religion mixed with rejection by peers.
COMMUTERS
freestyle, 3′ 51”
Archie Dunham, UWE Bristol, UK
An extremely visual film that clearly conveys the message of a backwards moving society with its aesthetics and the use of film tricks.
BRENDAN LEE HICKEY (Distinct Properties of the Indonesian
Spotted Tree Frog)
USA
Brendan Hickey was voted Best Actor for “Distinct Properties of the Indonesian Spotted Tree Frog” because of his outstanding performance and excellent and entertaining portrayal of his character. The dialogue and physical acting were outstanding, they depict an interesting character and add a special flair to the film.
MIKY BOLO (Bagged)
Romania
Miky Bolo was awarded Best Actress for “Bagged” because of a dynamic and convincing portrayal of her character. She is charismatic and dominates every scene. Her performance took the film to the next level.
RICHARD O’HANLON & DANIEL BRAND-SINYINZA (Little Gestures)
United Kingdom
With their very unusual approach, the directors combine fiction and reality into one beautiful, warm story.
KATARZYNA ORLOWSKA (Distance)
Poland
The screenwriter of Distance impeccably portrayed the loneliness of two people standing on an empty train station or looking out the train window. The film ends unexpectedly because, instead of turning into joy, the loneliness never ends.
LOVRO SABLJAK (Don’t Look Behind)
Zaprešić, Croatia
The cinematographer of Don’t Look Behind used a lot of creativity, imagination and effort to capture the shots in this fiction film. The cinematography definitely contributed to the overall atmosphere of the film.
NINA DAMJANOVIĆ (Stick Hit The Fan)
Rijeka, Croatia
Stick Hit The Fan undoubtedly deserves the award for Best Editing. The visuals, the story, the music and the acting are brilliantly combined into a big whole, creating an exceptional film worth watching.
THE QUIET
animated, 10′ 00”
Radheya Jegatheva, Australia
This is one of those rare movies that you will want to watch over and over again. The Quiet delights with a seemingly simple, but at the same time strong and layered story that draws us from the enchanting depths of the universe into the deepest secrets of the human psyche.
A SHIP IN THE BOTTLE
fiction, 15′ 00”
Karlo Gagulić, Udruga Blank, Croatia
BETWEEN DOVES
fiction, 12′ 43”
Anne Marie Bjerre Koch, Denmark
GOING FOR A WALK WITH MY MOM
animated, 5′ 16”
Paula Petković, Korčula, Croatia
Honestly and without hesitation, A Farewell Party speaks about the hopes and fears of high school students in the face of online teaching in a witty and touching way. A film in which there is almost no self-censorship, which gives it extra charm.
A FAREWELL PARTY
documentary, 10′ 38”
Dorian Vicić, Udruga Blank, Croatia
Honestly and without hesitation, A Farewell Party speaks about the hopes and fears of high school students in the face of online teaching in a witty and touching way. A film in which there is almost no self-censorship, which gives it extra charm.
DUST UNDER THE BED
fiction, 12′ 10”
David Padovan, Udruga Blank, Croatia
Dust under the bed offers a refreshing perspective on the forced stay at home. It captivates with the persuasiveness of the actor’s expression and the subtle creation of an atmosphere in which one forgets about problems and enjoys the small things.
LISTEN WITH YOUR EYES
free style, 4′ 01′
Stella Roso, Škola likovnih umjetnosti Split, Croatia
The experimental film Listen with Your Eyes stands out by provoking the senses and logical thinking. The paradoxical title leads us into an exciting cinematic interplay of image and sound that leaves no room for indifference.
ONLINE LESSON
animated, 2′ 21”
MFS Animation, Georgia
Online Lesson delights with vivid animation and a witty depiction of a school lesson in which the problems of the heroes come to the surface at the worst possible moment. Laughter guaranteed!
HOME ON THE ROAD
documentary, 6′ 32”
Miha Verdonik, United Kingdom
Home on the Road is filled with serenity and immediacy that is hard to resist. The splendor of playful visuals attracts attention as much as the joy of the main character who found not only fun in the amusement park, but also the warmth and security of a family home.
INSTANT CRUSH
fiction, 7′ 35”
Alvaro Jimenez & Mikel D. Etxeberria, Spain
Instant Crush conquers with an irresistible charm of a playful story, the temperament of film performance and the fine elaboration of details that give the accidental meeting at the train station a whole new dimension. A film you will love unreservedly!
THE SUN SETS THROUGH MY REARVIEW MIRROR
free style, 7′ 19”
Sam Leslie, Canada
The sun sets through my rearview mirror stands out with its magical poetic shots and an unusual feeling of travel created by editing, on several levels of space, time and imagination. A pleasure to all the senses!
NEW DOGS
fiction, 16′ 41′
Lucas Young, Singapore
New Dogs attracts attention with an unusual combination of weirdness and human warmth. The story of the fear of rejection is superbly told, acted and directed, so you watch the film breathlessly, all the while cheering for the protagonist to finally patch up old wounds and acquire the family he longs for.
GALACTIC FLOCK
animated, 4′ 09′
Mihael Mutak, ŠUDIGO Zabok, Croatia
With its enchanting choreography of simple artistic elements and exciting visual gradation, The Galactic Flock presents the solar system in an unexpectedly witty way.
STRANGE FRUIT: TAKING A STAND THROUGH SONG
documentary, 14′ 18”
Sam Seliger, All American High School Film Festival, USA
Strange Fruit speaks about the power of artistic expression as an engine of progress in all segments of human society through a reportage on the origin of a legendary song by Billie Holiday.
MIKKEL GRAVERSEN (Lost Boy)
Denmark
CELESTE ZOLLINO (The Catfish Club)
United Kingdom
O KHE YN (Perfect)
Russian Federation
MIHAELA GOJEVIĆ & HANA VOLNCER (A Reflection of Silence)
Croatia
MORITZ PIEHLER (Gangster)
Germany
NINA PAUKOVIĆ (A Reflection of Silence)
Croatia